Hello Goodbye Hello

If you visit this blog on a regular basis, you'll have had a disappointing few months, and I apologise. I've been in the UK for personal reasons that I haven't really wanted to talk about here, and the various things that so preoccupied me seem to have lost their immediate relevance. My two black beasts - Berlusconi and Ratzinger - feel far away, despite the latter's attempt to beard me in my lair this summer, and the ongoing farce of Italian politics is, well, precisely that. To my shame, I can't even summon up a more than ordinary outrage at homophobia, perhaps the result of watching programmes like Strictly Come Dancing and X Factor, where being gay sometimes seems the rule rather than exception. I've also come to hate the look of this blog, and don't like the new templates being offered (this is technical stuff - fellow bloggers will understand). SO... I'm up and off to Wordpress, where I will apply the old formula: a change is as good as a rest, and see what happens. I'll be taking all the old stuff with me, so don't despair, you'll still be able to see what I thought about Maria Vittoria Brambilla (don't care? Don't worry, you're not alone..). I've packed. I'm ready to go. From today, you'll find me here.

Words

If I had a thousand pounds for every time I've heard people complain that the use of the word 'gay' to describe what these same people tend to refer to as the 'homosexual life style' had deprived them of the only word available in the English language to talk about the really important things in life, like, oh I don't know, party lights, streamers, summer dresses, just general joy and loveliness, I still wouldn't have enough money to wrest the term 'tea party' back from the misinformed bigots who seriously believe their pathological state of unreason to be 'political'. This thought came to me as I sliced into a rather good cake earlier today and wished that I had a few good friends with me to share it. A tea party, I thought, how nice. How nice that would be.

Fusion, Wolverhampton style

Seven day wonder

I'd often been intrigued in the past by an ad in the LRB inviting me to spend some time in a large old country house near Girona, in Catalonia, with the author Charles Pallisser, working on the art of fiction-writing. How pleasant it must be, I used to think, to be able to sit around in the sun with like-minded people and a writer who was not only published but had actually written a book I much admired (The Quincunx), not to speak of cooling off body and brain in a convenient swimming-pool, eating local foodstuffs and drinking local wine. It was the stuff of dreams.

And then I published my own first book, and then my second and I began to wonder if it wouldn't be even more fun to go as the writer, and sit around in the sun, etc. This year, to my joy, that's exactly what happened when the ad, in a sense (and through Sandra - thank you, Sandra!), got in touch with me to tell me that Lee Pennington, a man of many and considerable talents, and the brains and heart behind the operation, had invited me to be one of the guest authors on his Seven Day Wonder book-lovers' week in early September. When I heard from an earlier guest that she'd had a great time, I was even keener.

I wasn't disappointed. I was one of four people to be invited. Clare Dudman was the first, to talk about her most recent novel, A Place of Meadows and Tall Trees. It's a fine book, honest and beautifully written, and I'm sorry I missed her. Next up was Adam Nevill, currently reinvigorating British horror with Apartment 16. He was there when I turned up late from Girona airport, to be greeted by pasta, wine and general conviviality, and seemed far too sunny and simpatico a man to have conceived such a dark and disturbing work. Someone once asked me how I managed to live with my imagination, and I may have asked Adam that same question.

The final author to be invited, Ann Cleeves, arrived while I was talking to the group and stayed, as I did, until the end. It was a joy to have time to talk a little shop, and discover, among other things, a shared admiration for Fred Vargas. You can see me here on the left, momentarily distracted by the view from the latest and possibly last of Ann's gripping Shetland novels, Blue Lightning.

Events like these may be built around books, but they live or die by the energy and good will of all those who take part. I have everyone to thank for the welcome we received. Lee, Debbie and Rob, who made sure that the food played as central a role as the reading, and to all of the book-lovers, whose interest and enthusiasm, and discretion, made it a pleasure to be read, and discussed, and finally, with the softest of kid gloves, given the literary equivalent of the third degree. They couldn't have been kinder, or more generous. Now all I have to do is write another book in time to get invited back...

48 hours in Barcelona

I spent most of last week in Catalonia, the first few days rather wonderfully in the country near Banyoles (about which I’ll be writing very soon) and the last two in Barcelona. I don’t know how large the real city of Barcelona is, the city where people live and work and conduct their daily business, but the part of it that gets visited - the old city, the area to each side of La Rambla, the Boqueria, the Picasso museum, the port - is soon covered. Indeed, although this may seem parochial and Anglocentric, we found ourselves returning, over and over again, in what began to feel like wilful homage, to Placa de George Orwell, a neatly paved area slipped in among the streets of the old city, lined like everywhere else with bars and various other eating opportunities, from traditional three-course meals to macrobiotic platters, with the usual range of bocadillos de jamon and tapas in between. The square, which is actually a triangle, hosts at its entrance – if you’re coming from La Rambla – a large modernistic sculpture, a twist of iron rising high above the heads of passers-by, at the apex of which is threaded a massive wooden ball, a nicely dialectic interplay of what the world has to offer, as both material and form, and, unlike much modern sub-Serra sculpture, not even an eyesore. It’s a triangle that seems to attract more than its fair share of dropouts, people who, at what must be considerable cost, have turned their backs on the rest of us, with our mobiles and guidebooks, and take their comfort from the company of large, scuffed, infinitely patient dogs and, to a lesser degree, from one another until a scuffle breaks out. Orwell, if he felt at home anywhere, would surely never have felt at home here, among this colony of winos and worse, with their elaborate skin-obliterating ‘tribal’ tattoos and white-boy dreadlocks. Down and out was for Paris and London; Catalonia was, or should have been, for sterner homage-worthy stuff. In fact, much as I like the city and enjoy what it has to offer, not least the best sandwich in the world (Café Viena, La Rambla del Estudis 115), there’s something about the Barcelona that’s on show that leaves me unconvinced, in the same way that Covent Garden and parts of Trastevere do; as though the transgression that ought to stand for creativity doesn’t go much beyond the litany of living statues along the main tourist drag, which briefly startle, and then amuse, and then seem tawdry and dispiriting, part of a world in which work can be reduced to stifling immobility on the off-chance of a handful of coins in a hat. I started this year in Madrid, a city that struck me as being more or less what a city should be, busily about the infinite variety of its own affairs, absorbing the transient rest of us without much fuss. The part of Barcelona that’s available to tourists has a different feel to it, like a naughtily disrespectful child on the look-out for attention. It’s no surprise that the artists this side of the city seems most proud of – or most eager to transform into souvenirs - are Gaudi and Dali, masters of the unfinished and the showy.

Futile preoccupations...?

A few weeks ago Rob at the Fiction Desk reviewed Any Human Face and, with great generosity, gave away ten free copies of the novel. One of the copies went to the man behind the book blog His Futile Preoccupations... You can see the impression the novel made here. Here's a bit to be going on with:

I had a bit of luck recently when I won a book give-away held by The Fiction Desk. The book, Any Human Face by Charles Lambert arrived and I almost immediately picked it up. I planned to read the back cover and perhaps a page or two as I had another book I intended to get to first. I ended up devouring this book in two separate readings over the course of a twenty-four hour period. The blurb on the front of the novel promises: A dark, fast-paced story of love, sex, abduction and murder, and the book certainly lives up to all those qualities.

Snail-keeping and Sunday salons

Clare Dudman, author of A Place of Meadows and Tall Trees (which I'm currently reading and wholeheartedly recommend - but more of that later), has interviewed me for her Sunday Salon on her literary blog, Keeper of the Snails. We talk about Any Human Face, life-changing moments and pride (with a small 'p'). You can read the interview here.

The Slaughteryard

Assuming you know nothing of the work of the nineteenth century Argentine writer Esteban Echeverria, you can approach this book, one of the Friday Project’s Library of Lost Books, in two ways. The first is to cut to the chase and read the beating and rather bloody heart of it, the long short story, entitled The Slaughteryard, a vivid, in many ways chilling, account of a cattle butchering and its disturbing aftermath in one of the four slaughter yards of Buenos Aires during the first decades of the nineteenth century. It’s a powerful, and memorable, tale, packed with information and colour, observation and, above all, political indictment. Translated with enormous vigour by erstwhile Borges collaborator and translator, Norman Thomas Di Giovanni, and Susan Ashe, it provides an insight into a world that’s both recognisably modern and tantalisingly ‘other’, which is just what you’d expect from a classic ‘lost book’.

If you stop at the story, you’ll already have had value for money. If you decide to read the rest of the book as well, you’ll come away not only wiser, but also irresistibly entertained. It’s packed with gems: historical details about slaughtering methods, the use of the lasso, and, more worryingly, the mazorca (you’ll have to read the glossary to find out why this should be worrying, but Edward II might provide a hint), the practice known as the slippery dance, the other, less musical meaning of the violin y violon; and, underlying all this, the tragic oppression of one faction by another, in a Swiftian parody of political schism and reversal that, as these things tend to do, resulted in the deaths and torture of thousands. On top of this, you’ll have contemporary accounts of butchery in Buenos Aires by the famous, such as Darwin, and other less well-known travellers, such as a certain Major Alexander Gillespie, according to whom “negroes [...] have generally a predilection for food very salt, and even tainted”.

The book as a whole, in other words, not only introduces and contextualises one of South America's greatest stories, but delights on its own terms. I recommend it.

Yin yang? Hmm

Is it just me or are the two people with Barbara Cartland in this photograph Peter Mandelson and Paul McCartney in drag?

Image

According to an article in today's Independent, Maria Vittoria Brambilla, the Italian minister for tourism (seen here discussing policy with her employer), has announced that the Palio di Siena, the traditional horse races that occupy the city's main square for much of the summer, should be banned, along with all other public spectacles involving cruelty to animals. Not because of their intrinsic violence towards dumb beasts, with whom Brambilla ought to feel, at the very least, a nuance of sympathy, nor because they provide a substantial source of revenue for the Mafia, but because they damage Italy's image abroad.

In the same newspaper, Christina Patterson has this to say about David Cameron and his putative political encounter with Silvio Berlusconi this week:

How do you solve a problem like Berlusconi?

David Cameron has clearly been having a lovely time visiting his foreign counterparts, offering a little lecture here, a little pat on the back there and generally revelling in being one of the Most Important People in the World. If some of them can't quite match his background, well, one wouldn't want to make them feel awkward, and some of them – Obama, actually – have other qualities that make up for it.

But Berlusconi. Oh dear, Berlusconi. How the hell do you conduct a meeting with the biggest joke in international politics, a man so surgically enhanced that he now looks like a ventriloquist's dummy? How do you talk to a man who can't even have a snack without a bevy of luscious lovelies? How do you do that and retain a micro-molecule of dignity?

Cameron's solution to a challenge that might defy Debrett's lacked his usual lightness of touch. He turned up late. Almost an hour late. He skipped the planned talks and went straight to the dinner, and skipped a press conference, too. In the photos, Cameron weirdly managed to look like Berlusconi's taller, plastic twin. He also managed to look something he's rarely looked before: deeply, excruciatingly embarrassed.

Maybe someone should take Ms Brambilla to one side and explain that the odd dead horse - however lamentable - does far less damage to Italy's international 'image' than the raddled old nag to whom she owes her brilliant, and probably bareback, career.

Will this pleasure never end?

If any of you are lucky, or clever, enough to be able to read Arabic you can now enjoy The Scent of Cinnamon in translation, in the Albawtaqa Review.

For more information, click here.

Strage

Thirty years ago today I was teaching English at a summer school in Malvern. The students, aged between 12 and 16, were mostly from Europe and the largest group came from Italy. They rarely watched the television - I don't remember now if they were discouraged from doing so or simply preferred to do other things; there are few things less interesting, after all, than watching TV in a language you barely understand, and most of the students there spoke very little English. But on the evening of 2 August the television room was packed with Italian students because a bomb had destroyed Bologna station. Some of the students came from the area; two or three of them had relatives who were starting their holidays that day and might easily have been involved. When the first images of the station, parts of which had been reduced to rubble, appeared on the screen, the room fell silent, and remained silent until one of the older girls began to cry, which set the other kids off. I wasn't the only teacher there who spoke some Italian, and we were kept busy translating the news as it came in. There were no satellite dishes then, no Sky; all we had was the BBC. Mrs Smith, the person in charge of the school and herself Italian, was also busy, comforting the younger children, organising sandwiches and coffee, phoning people who might know more. I'd been through Bologna - one of the busiest stations in the country - but never stopped there. I didn't know then that I'd be living only thirty miles away two months later, in what was still the aftermath of the event, an aftermath that continues to echo. Around 80 people, many of them children, died in the explosion; others were wounded, or blinded, or permanently crippled. Not to speak of the collateral effect of this kind of tragedy, friends lost and families destroyed. To begin with, the assumption was that there had been an accident, but that assumption didn't last. No one claimed responsibility for the attack, which was attributed to right-wing terrorists, on the grounds that left-wing terrorism was more selective. In the thirty years that have passed since then, people have been accused and convicted of the crime, and in some cases have completed their sentences and are now free. But no one genuinely believes that the perpetrators of the crime have been punished, or even identified. It's hard for me to read about the bombing without remembering the faces of those children - one of whom actually lost a cousin in the attack - stranded so far from their homes, frustrated by distance and language; children who might just as easily have been blown to shreds themselves. There's a commemoration of the event each year, organised by the families of the victims, and presumably this will continue as long as these families survive. Most years, whichever government is in power sends a representative or two, and the reaction of the crowd is a useful indication of public perceptions of guilt and the complicity of certain elements within the Italian power structure, or palazzo, as Pasolini called it. Few people doubt such complicity. This year, with a contempt that's hard to stomach, the government is totally absent from the commemoration - not even a deputy minister has been sent off to take the flak and express at least formal condemnation of the massacre. If proof were required of the continuity of responsibility - moral, if nothing else - that links Berlusconi and his gang to the people that murdered 85 innocent travellers and wounded a further 2000 thirty years ago, we need look no further.

Two people, one bleeding

And here's another review of Any Human Face, from The Fiction Desk this time. It's typically perceptive and I particularly enjoyed this sentence:

The character interactions are driven by Lambert’s interest in the way people react to power and vulnerability in themselves and in each other; it’s tempting to say that the archetypal Charles Lambert scene is one in which two people are in a room, and one of them is bleeding.

Fascinating, though I'm not sure how true this is. Any ideas?

Little Monsters returns!

This is getting better and better. Bookeywookey (subtitle: LITERATURE GOOD AND BAD, THEATER,AND NEUROSCIENCE....NO REALLY), who wrote the excellent review of Any Human Face mentioned in the previous post, has turned his critical eye on Little Monsters. To flattering effect. Here's a preview:

Lambert writes of the pain of existential longing with a knowing heart and a sure, forceful pen. He knows, as one character says to another in Little Monsters, that 'people are not simple,' and that's why I loved this beautiful novel. I feel I've discovered a deep well in Lambert. Sometimes his work evokes Hermann Hesse for me, although he is less of an innocent.

If I needed any encouragement to work on my next novel (though I don't), this would certainly provide it. Thank you, Ted.

Any Human Face review

And I found this review of Any Human Face waiting for me when I turned on my laptop this afternoon... Here's a taste of it.

This is an unusual book in that it has everything - love, suspense, moral conflict, social criticism, psychological acuity, and crack writing - but none of it is expected.

As Giuseppe would say, not bad.

Any Human Face launch

Any Human Face had its official UK launch yesterday evening in the Travel Bookshop, a place I wholeheartedly recommend for all your reading needs should you be in or near Notting Hill, and probably worth a specific trip for. (It is a travel bookshop, after all.) I was accompanied by Simon Barraclough, who pulled some fine Italian-focused work from his poetic hat, and introduced by my friend and agent, the poet Isobel Dixon, so I couldn't have been happier. I also had the chance not only to see some old friends - including one I haven't seen for 33 years (hello, Sara!) - some newer ones (hello, Katy!) and some very new ones ( hello Essie!), but also to cement some previously virtual ones (hello Rob! hello Anne!).

You can see more photos of the event here.

UK launch

I'll be reading from Any Human Face on Saturday, 3 July, at The Travel Bookshop in Notting Hill, London. Even better, I'll be accompanied by Forward shortlisted poet Simon Barraclough, for an Italian-themed evening. This is the cover of Simon's fine collection. I haven't added mine because I'm sure you're all more than familiar with it by now.

We'll be starting at 7 pm. There will be wine, possibly Italian, and snacks...

You can find all the info here.

Readings of Genet (mine)

Forgive my absence. If this blog were a different kind of open book from the one it is, I'd have a lot to tell, but, post-Diana, and unfashionably, I've opted for discretion. Which means that all I'm using it for at the moment is the most fleeting self-promotion. For anyone who'd like to see some translations of the poetry of Jean Genet that I committed, with adolescent hubris, many years ago, I recommend the third number of the always-excellent Cambridge Literary Review, just out, and worth considerably more than the cover price. You can find out more about it here.

Surveillance

I've just discovered that Amazon knows - and registers - whenever Kindle users highlight a passage on their Kindles, and it reminded me of something I saw many years when John Wilkinson and I were on a walking (actually, hitch-hiking) tour of western Scotland and the Hebrides. We were holed up in the north-westernmost youth hostel of the British Isles, a stone's throw from Cape Wrath. Among the other hostellers was a fierce-browed woman with a copy of Edgar Allen Poe's collected stories. She was reading the book with a red pen in her hand and, every now and again, with a stifled grunt, she'd ring something in the text. When she left the room, presumably to pee, I couldn't resist. I sneaked a look to see what she'd been marking.

I dropped the book immediately, as though scalded. The word she'd ringed, over and over, with a heavy hand, was BLOOD.

Orlovsky RIP